GROUP H - leave open for Sampling / chopping samples GROUP G - leave open for Sampling / chopping samples GROUP F - leave open for Sampling / chopping samples GROUP E - leave open for Sampling / chopping samples GROUP D - Maschine instrument 3 (whatever else I want) GROUP C - Maschine instrument 2 (I use piano usually) GROUP B - Maschine instrument 1 (I use a bass, Group "B" for "bass") Set your Groups as follows (it helps to match this tutorial and keep consistency in your future workflow): This is a bug I think NI should address, which we will mention in the Feature Request section. This can be confusing, as it utilizes the Sound Batch MIDI settings and Sound MIDI settings, which SEEM like they're GLOBAL.
#How to get maschine library into maschine how to#
but it's good to know how to do this step-by-step, anyway) (see the first reply to just get the Maschine project file. Rename all your tracks to correspond with the Groups on Maschine (as seen in the above screenshots and the first one (the whole set). The next External Instrument track will be on Channel 4, and using Maschine Out4 (Ext Out 4), etc.Ĩ. make sure each Channel and Ext Output routing goes up by one, for the remaining tracks.for example, this second External Instrument track is on Channel 3, and using Maschine Out3 (Ext Out 3). IMPORTANT - set your External Instrument tracks as seen in the screenshot below. Duplicate your External Instrument track 6 times so you have a total of 7 External Instrument tracks (so, MIDI track is far left in your set, and all the External Instrument tracks are to the right of it, and then the Maschine VST plugin track is far right).ħ. Set your External Instrument plugin track as seen below:Ħ. Set your MIDI track's routing (everything to and from Maschine, with MIDI channel 1, as seen in screenshot above)ĥ. Insert an External Instrument plugin track (Live Library - Instruments - External Instrument)Ĥ. Insert a MIDI track (or if it's already in the set, don't worry about it)ģ. Insert all of the following tracks to the LEFT of the Maschine VST track (easier to match Maschine Groups / Live Tracks)Ģ. Here's how to do it (from a nearly-empty Live set, with only one MIDI track): it will all be explained below.įirst, create a template in Ableton (and save it in your Live Library to recall at any time). Most of the details are in saintjoe's video, but, this goes into deep detail and explains the changes you need to make when using a Maschine instrument (using Sound Midi Settings on the SOUND itself, and not the GROUP, which is Sound MIDI Batch Settings). And combining Live audio tracks with the 8 Groups in Maschine, you are able to use warped loops right alongside your Maschine sounds and extensive sampling & chopping capabilities. great sounds, great kits, great instruments).įurtermore, as we Maschine users have complained about. And this tutorial is just for Maschine's 8 groups matched to 8 separate Ableton Live tracks (I for instance, love 95% of Maschine's library. Here is a step-by-step guide on getting it going with Ableton Live 7 or 8. All the hip hop producers out there know what I'm talking about. as the beat drops out and comes back in randomly, etc. Automatable mutes are especially useful in hip hop production. Ableton Live users know that its Session View/Arrangement View are especially good for creating complex arrangements (especially for the automatable mutes/solos, volume, etc). It is also made for those who find Maschine's built-in sequencer extremely limited (as most of us have complained about).
This tutorial is designed with hip hop producers / sample choppers in mind. he made a video "recording MIDI from Maschine into Ableton Live" video, which can be found here: Hey all! This tutorial was inspired by Saintjoe of. (this is posted on the NI forums, but I figured I'd post it here, too):
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